How is the audience positioned to think about both David and Ben?
The audience is supposed to see that David and Ben have a close bond and are very good friends. Also the audience are positioned to think that David is taking care of Ben.
How is the editing conveying representations of disability?
The shot reverse shot implies that David respects his brother Ben. The shot reverse shot shows they are eqeal and this contradicts the stereotype that abled people are more superior to disabled people.
Who gets the majority of screen time?
As it is only diaogue between two characters both David and Ben get a lot of screen time. However, Ben gets slightly more which is unusual as people with a disability usuaully get less screen time.
How does the mise en scene convey representations of disability (facial expressions, props)?
Ben the downsyndrome is wrapped up with his sleeping bag whereas David is not. This implies that he needs support to be warm. This represents diabled people as needing support and are not capable of doing things without the extra help. Also, David gives Ben a weird facial expression when Ben is talking about sex. This implies that Ben is looked down when talking about sex and represents disabled people tobe incapable of sexual activity.
Can you find any examples in the dialogue which convey representations of disability?
Ben talks about private engagement very openly which portrays disabled people of not being able to think before they speak. For example when he is talking about sex and he quotes "whats it like" and "I want to have sex with Natasha."
Monday, 21 March 2016
Thursday, 10 March 2016
The impact of media ownership on the film industry
How do UK film companies, and UK films manage to compete, exist and survive in this system?
BFI supports UK films which allows them to exist and survive in this system. The BFI will fund the company for their film. " The BFI uses National Lottery funds to develop and support original UK filmmakers and films, and to increase the audiences who can enjoy them."
Also, they support high-quality British and independent releases, increase film choice for audiences and offer a springboard for UK film exports.
What effect does this US dominance have on UK filmmakers and production companies?
British films are brought by America studios which takes away the fact that its a British company as an American company own the rights to the film which implies that US dominance has a major effect on UK film makers. For example Harry potter has a large british cast and was mostly shot in the UK. However, 20th Centaury Fox are the producing company and are one of the major six which are all American. What ‘screencast’ ask is can Harry Potter be counted as the ‘pride of Britain’ if it is owned by a big American Company?
Also, UK institutions cannot afford a large budget for the movie so the producers are forced to sign with American studios to pay for the film.
What effect does it have on the audience and the types of films they can see?
The big six would not like to loose audience and try to keep it safe by producing sequels such as Star Wars the Force Awakens as the film would already have a large audience due to the previous films.
They focus on action adventure / superhero movies and this is what we are constantly seeing. This prevents us from seeing content that we wouldn’t normally see such as a movie like a unique movie such as A Field In England and Frank, these are a different style/genre of film. A large American company will not want to risk wasting their money on a movie that isn't successful and will not make them a lot of money. A superhero film or a sequel is guaranteed to make them profit and that’s why they are constantly being released whereas new interesting and unique films are not.
BFI supports UK films which allows them to exist and survive in this system. The BFI will fund the company for their film. " The BFI uses National Lottery funds to develop and support original UK filmmakers and films, and to increase the audiences who can enjoy them."
Also, they support high-quality British and independent releases, increase film choice for audiences and offer a springboard for UK film exports.
What effect does this US dominance have on UK filmmakers and production companies?
British films are brought by America studios which takes away the fact that its a British company as an American company own the rights to the film which implies that US dominance has a major effect on UK film makers. For example Harry potter has a large british cast and was mostly shot in the UK. However, 20th Centaury Fox are the producing company and are one of the major six which are all American. What ‘screencast’ ask is can Harry Potter be counted as the ‘pride of Britain’ if it is owned by a big American Company?
Also, UK institutions cannot afford a large budget for the movie so the producers are forced to sign with American studios to pay for the film.
What effect does it have on the audience and the types of films they can see?
The big six would not like to loose audience and try to keep it safe by producing sequels such as Star Wars the Force Awakens as the film would already have a large audience due to the previous films.
They focus on action adventure / superhero movies and this is what we are constantly seeing. This prevents us from seeing content that we wouldn’t normally see such as a movie like a unique movie such as A Field In England and Frank, these are a different style/genre of film. A large American company will not want to risk wasting their money on a movie that isn't successful and will not make them a lot of money. A superhero film or a sequel is guaranteed to make them profit and that’s why they are constantly being released whereas new interesting and unique films are not.
Thursday, 3 March 2016
Sexuality
Editing
The editing in the extract portrays Maude as very emotionally attached to the other woman. This is shown through the dissolve. There is a tracking shot of Maude putting her hands over the ladies body and then there is a dissolve to her licking her lips when painting. This portrays lesbians as very emotional and the dissolve can represent the ideas in her head as a dream which portrays it is forbidden during the time period and implies lesbians are very secretive and non a physical romance.
Soundtrack
The soundtrack in the extract represents lesbians as very caring and passionate for someone they love. This is shown through the diegetic dialogue. "wake her up, she'll burn". This implies Maude does not want her lady to be in pain from her burns. This represents lesbians as caring. Another representation of the soundtrack is through the hyperbolic diegetic sound of breathing by Maude. This portrays lesbians as very emotional because her love is forbidden.
Mise en scene
The mise en scene in the extract portrays lesbianism to be very secretive compared to heterosexual relationships. In the extract lesbianism is in interior locations with darkly lit rooms whereas heterosexual relationships are in exterior locations in a bright location. This implies that lesbianism is seen as very secretive and reinforces the stereotype that heterosexual is the norm as heterosexuals can be seen out in the open.
The editing in the extract portrays Maude as very emotionally attached to the other woman. This is shown through the dissolve. There is a tracking shot of Maude putting her hands over the ladies body and then there is a dissolve to her licking her lips when painting. This portrays lesbians as very emotional and the dissolve can represent the ideas in her head as a dream which portrays it is forbidden during the time period and implies lesbians are very secretive and non a physical romance.
Soundtrack
The soundtrack in the extract represents lesbians as very caring and passionate for someone they love. This is shown through the diegetic dialogue. "wake her up, she'll burn". This implies Maude does not want her lady to be in pain from her burns. This represents lesbians as caring. Another representation of the soundtrack is through the hyperbolic diegetic sound of breathing by Maude. This portrays lesbians as very emotional because her love is forbidden.
Mise en scene
The mise en scene in the extract portrays lesbianism to be very secretive compared to heterosexual relationships. In the extract lesbianism is in interior locations with darkly lit rooms whereas heterosexual relationships are in exterior locations in a bright location. This implies that lesbianism is seen as very secretive and reinforces the stereotype that heterosexual is the norm as heterosexuals can be seen out in the open.
Media Institutions Exam Question (Mr Lane's Q)
Evaluate how
different media institutions market and distribute products in the media area
you have studied.
In today’s
media landscape, audiences are completely fragmented and the competition for
audiences has never been more competitive. Production companies use many
different methods to attract audiences. Despite the fragmented audience, media
companies have used different ways/ techniques to get their product across and
to gain audience attention.
One
media institution is Disney. Disney is a major studio and is one of the ‘big
six’ institutions. One of their products is Star Wars: The Force Awakens, which
was shot globally and was approximately a 6-9 month shoot. The budget was £200m
and was partially shot on 35mm film. Another media institution is Film4
Productions and was an independent production company. One of their products
was A Field in England directed by Ben Wheatley, which took under two weeks to
shoot at one single location. The budget was significantly lower than star wars
with a budget of £300,000 and was shot entirely digitally (homemade camera
& lenses).
The
marketing strategies used by both institutions were used to attract the
fragmented audience. Disney used technological convergence engagement, which is
the coming together of different media platform onto one product. An example of
this is The Star Wars Interactive App, which allowed audiences to take selfies,
buy tickets and watch augmented reality clips. This marketing strategy is
effective as engages an audience. Also, the app being on a smartphone is very
convenient as the majority of people have smartphones in today’s society so is
easily accessible. The Multimedia Interactive App is also effective as it uses
audience interaction with selfies and encourages sharing and spreading branded
content virally by connecting the app to Twitter and Facebook.
A
marketing strategy used by Film4 Productions is social media and in particular
the director’s twitter (Ben Wheatley) as he had 11,000 followers and used this
to market A Field In England to the public using retweets etc. This is an
example of web2.0 as it is part of the World Wide Web that is focussed on the
ability for people to collaborate and share information online. This strategy
is effective as it took advantage of the director’s small but committed fan
base as his fans would want to see the new movie he has directed and this
allowed the marketing side of the film to create a niche cult audience for the
film. The strategy was also effective as big companies and famous people were
able to tweet about the film such as Mark Kermode, Virgin and Film4. As we can
see from the different marketing strategies discussed there is a major
difference in the way Disney and Film4 Productions market their products. This
is because of the budget each institution has to market their film. Film for do
not have the finances to create a Multimedia App so have to stick to marketing
which is cost free, such as social media whereas Disney have a much larger
budget so can design, create and promote their app on ITunes. The marketing
strategy that was most effective is the Multimedia interactive app as it is
easier accessible for the fragmented audience whereas Ben Wheatley’s twitter
account would only attract a small percentage of audiences.
The
distribution of the film also plays a major role in gaining fragmented
audiences and both A Field In England and Star Wars are distributed in different
ways due to what benefits their institution. Disney’s distribution had a day
and date worldwide release which was also known as a saturation release. The
distribution was also done in a very traditional way as it was first released
in Cinema the on VOD/DVD then it was able to be viewed on TV/Streaming. The
traditional distribution is effective as it creates an ‘event’ as it was
released on July 5th 2013 which creates hype for the audience as
they wait for the film to be released and capitalises on the demand and desire
from a vocal hard core fan base. However,
Film4 Productions use a very different and unique strategy that will
benefit their independent institution. Film4 use a simultaneous release which
is a new method used by independent institutions were a film and in this case
is AFIE is released in Cinema, on DVD/Blu-ray and streamed on film4 website all
on the same release date. Cancelling release windows and releasing on all
platforms at the same time is effective because it maximises a dedicated but
small audience as it allows fans to view AFIE regardless of geography as it was
only released on 17 cinema screens so not all audiences can go to view the film
in cinema. Both distributions are effective as they have used a release
strategy that benefits them financially. The saturation release benefits Disney
as they have the budget to release Star Wars across many different cinemas
whereas due to the niche audience of AFIE they are not able to do this which is
why a simultaneous release would be effective for Film4. The saturation release
was most effective due as they can attract a broad fragmented audience.
However, the simultaneous release was a unique and clever way to attract
audiences while also having a significantly lower financial budget.
In
conclusion, different media institutions market and distribute their products
in different ways depending on what is cost effective for the institutions
financial budget for the product. The marketing and distribution of the product
contribute greatly towards the final product and how successful it will be.
From comparing Disney and Film4 we can see that a major institution can market
and distribute their product (Star Wars) in a way which engages a much broader
fragmented audience whereas an independent studio/institution targets on a
niche audience to attract fragmented audiences which is why marketing
strategies such a Ben Wheatley’s twitter account is beneficial to them and
these different strategies explain how major institutions and independent
institutions differ.
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